![]() ![]() Some versions perhaps sit more comfortably than others, but the Gershwin is a tour de force that (largely) works extremely well and is tremendously engaging. Better, in fact, to listen afresh and regard these arrangements as, if not wholly new works, familiar friends with a makeover. If your preference is for a purist approach, this will not be to your taste. But be warned: these are free arrangements and sometimes there are radical differences from the original works, a good example being some unexpected harmonies towards the close of the Tchaikovsky. The arrangers are equally stellar and have come up with imaginative solutions in applying shaded textures with fine ears. In economically challenging times, this might well prove a good alternative to hiring expensive orchestras! Thank you, Ava Cronin, for using precious battery reserves to brighten a gloomy week with a one-take rendition of Vivaldi's Violin Concerto. Aided by a supremely brilliant group of players who can utilise tonal techniques so adeptly, the combination is surprisingly effective. This bold move to use saxophones and piano as a partnering ensemble for a solo cello is hugely successful. Antonio Vivaldi: LEstro Armonico, Opus 3 - Concerto 06 in A minor for solo violin, strings and basso continuo, RV 3561 - Allegro2 - Largo3 - AllegroFor hig. Gershwin: Phantasy in Blue, after Gershwin’s Rhapsody (arr. Shostakovich: Prelude ‘Guitars’ from ‘The Gadfly’ Elegy from ‘The Human Comedy’ (arr. Works: Tchaikovsky: Rococo Variations (arr. Musicians: Alban Gerhardt (cello) Alliage Quintet Kuchler Concertino in D (Style of Vivaldi) all 3 mvts.Description: A master cellist delivers old favourites in striking new garb Wieniawski, Polonaise Brillante in A major, Op. Wieniawski, Polonaise de Concert in D major, Op. Sarasate, Malaguena (in Heifetz – New Favorite Encore Folio) 5. Sarasate, Zapateado (in Heifetz – New Favorite Encore Folio) Saint-Saens, Introduction and Rondo Capriccioso Kreisler Pieces (from collections) and Volume 2 and Volume 3īach, Solo Sonatas and Partitas (Szeryng Ed.) 49īartok, Rumanian Folk Dances (in Solos for Young Violinists, Vol 6) Heifetz-Dinicu, Hora Staccato or in Heifietz Collection The concerto was idolised as the first ‘real’ music in the repertoire, played by professional violinists around the world. Kreisler Praeludium and Allegro or Kreisler Collection When I first came across the Suzuki Method in the 1970’s, the Concerto in A Minor by Vivaldi was the golden goal of all young Suzuki violin students in the city where I lived. Kreisler, Sicilienne and Rigaudon or in Collectionĭvorak, Sonatina or in Solos For Young Violinists Vol. Kreisler/Gluck, Melodie or in Kreisler Collection 1īela Bartok, 44 Duos for Two Violins and Vol 2 Gabriel-Marie, La Cinquantaine in Solos for Young Violinists Vol. Bohm, Introduction and Polanaise in Solos for Young Violinists, Vol. ![]() Mollenhauer, The Boy Paganini in Solos for Young VIolinists, Vol. Josef Gingold, Solos for the Violin Player(Allegro Spiritoso, The Bells)Į. Whistler, Introducing the Positions, Bk 1 Kuchler, Concerto in D, (Style of Vivaldi) in Solos for Young Violinists Vol. Karl Bohm, Perpetual Motion from String Festival Solos, Vol IIį. Kabalevsky, Album Pieces for 1 and 2 Violins and PianoĬharles Dancla, 12 Easy Fantasies, Op. Stanley Fletcher, New Tunes for Strings, Book 2Īlfred Moffat, Old Masters for Young PlayersĬonstance Seely Brown, J.S. Stanley Fletcher, New Tunes for Strings, Book 1 Sequence of Violin Repertoire by Mimi Zweig Sequence of Repertoire from Suzuki Books IV-VI.Sequence of Violin Repertoire by Mimi Zweig.You find that most of the titles are links that will bring you directly to a website where you may purchase the music in our preferred editions. They serve as a foundation for much of our instruction at the String Academy and we provide them as a resource for other teachers and students alike. ANTONIO VIVALDI (1678-1741) Concerto for bassoon, strings and basso continuo in A minor RV4971. The following violin repertoire lists have been compiled over many years of teaching and experience by Mimi Zweig and Dorothy Delay. ![]()
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